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Fantastic Four (2015)
PG-13 | 100 min | Action, Adventure, Sci-Fi | 7 August 2015 (USA)
4.0 Your rating: -/10 Ratings: 4.0/10 from 41,198 users Metascore: 27/100
Reviews: 425 user | 289 critic | 40 from Metacritic.com
Four young outsiders teleport to an alternate and dangerous universe which alters their physical form in shocking ways. The four must learn to harness their new abilities and work together to save Earth from a former friend turned enemy.
Director: Josh Trank
Writers: Jeremy Slater (screenplay), Simon Kinberg (screenplay), 3 more credits »
Stars: Miles Teller, Kate Mara, Michael B. Jordan | See full cast and crew »
Details
Official Sites: Official Facebook | Official site | See more »
Country: UK | Germany | USA
Language: English
Release Date: 7 August 2015 (USA) See more »
Also Known As: Fant4stic See more »
Filming Locations: Raleigh Studios Baton Rouge, Celtic Media Centre, Baton Rouge, Louisiana, USA
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Storyline
FANTASTIC FOUR, a contemporary re-imagining of Marvel's original and longest-running superhero team, centers on four young outsiders who teleport to an alternate and dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy
User Reviews
Has Some Great Moments, But Takes Too Much Time to Become Interesting, Long Enough to Make Us Not Care
5 August 2015 | by prospectus_capricornium (Philippines) – See all my reviews
There's probably some salvageable remnants left in Fox's previous attempts to bring one of Marvel's most popular superhero team, FANTASTIC FOUR, to the big screen. That's maybe what Fox thinks in pushing this new adaptation, given how franchises keep being rebooted and resurrected these days, assuming either lighter or darker takes, to pull away themselves from the shadows of their previous (most often, forgettable) forms. The latter is more evident with this film, as Director Josh Trank, puts a darker spin to it, employing a grittier feel to its plot. While that is true and recognizable, there's no denying of its desperate efforts to emulate its Marvel predecessors. Unfortunately, though, neither, succeeds. If it's any a consolation, Trank has assembled a group of actors that are all naturally charming, you would find anything messed-up they're in, tolerable.
The spotlight is cast upon young genius, Reed Richards, at the beginning of the film, working on an experiment that attempts to construct a teleportation device. It was hardly a success as the object they've sent to who-knows-where, never returned. Seven years later, now teenage Reed (Miles Teller) is again trying his luck on the same experiment. The attempt yields a better result but is still dismissed as a magic trick by his high school teacher, but not by Dr. Franklin Storm, who at that moment, is drawn with utter interest to Richard's experiments. The meeting brings Richard's feet to Baxter Institute where he is joined by Storm's daughter, Sue (Kate Mara), his son, Johnny Storm (Michael B. Jordan), and Viktor Von Doom (Toby Kebbell), to work in completing a larger and more advanced version of Richard's device. The success of their effort prompts their team to send all of them four to their target alternate universe, but the consequence is far worse than they could imagine.
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It's easy to dismiss Trank's Fantastic Four as an unfortunate victim of superhero fatigue that emerges in the wake of the continuous influx of superhero movies inundating the big screen, but you can't shrug off its fatal narrative flaws that include unfocused pace and bland character developments. The latter may have been completely covered by the actors playing the two-dimensional characters, but expositional defects keep sending them to becoming something the audience might find hard to care about. Perhaps its the ill-contrived rationales behind how all the often-sense-deprived proceedings work, that keeps the film constructing a form, worth-of- attention, or the forced CGI-gimmicks that strip the sense off the moment's supposedly strong sentiments, that hampers its spectators' ability to absorb its message, and thus, feel that the dangers these characters are about to face, is real. Either way, it's difficult to care, much less find reasons why we still should.
If it's any consolation, the final battle of this film,sparks hope. But who knows who else is up with eagerness to see it when the rest of the film strikes more than enough to make the audience not wait for any longer. 5/10
